Adolf Bierbrauer - Pioneer of Social sculpture
Adolf Bierbrauer, Case F. (Hypnosis Painting), Gouache, 11,81 x 8,26 inches, 1953
Adolf Bierbrauer, Case F. (Hypnosis painting), Gouaches, 11,81 x 8,26 inces, 1953
Adolf Bierbrauer, Case F. (Hypnosis Painting), Gouache, 8,26 x 11,81 inches, 1953
Adolf Bierbrauer, Goethe heard in the self-conscious Ego the breath of the living idea, mixed media on canvass, 62,99 x 55,12 inches, 1999
Adolf Bierbrauer, "The world thinks it is a joke. While the painter paints without a brush , the world is falling apart, and yet comes together what works" Acrylic on Canvass, 63 x 78,74 inches, 2008
Adolf Bierbrauer, the inkpot of Tiepolo, acrylic on canvass, 63 x 78,74 inch, 2008
Adolf Bierbrauer, Anti Christianity without anxiety, acrylic on canvass, 31,49 x 47,24 inches, 1999
Adolf Bierbrauer, The elefantaniel fit of rage (der elefantöse Tobsuchtanfall), Bronze, 11 x 4,3 x 7,8 inches, 2002
Adolf Bierbrauer, On nature conservation indicating temple, 14,5 x 12,2 x 4,3 cm, transistor, wood, bottle cork and adhesive (ponal), 2002
Adolf Bierbrauer, Angle with raclette - pike, clay with metal pike, 11 x 7,4 x 5,5, 1999
Adolf Bierbrauer, actually Adolf Karl Bierbrauer, born 1915 in Düsseldorf - died 2012 in Ratingen. He was a contemporary and neighbor of Joseph Beuys
in Düsseldorf-Oberkassel. Both knew each other.
A.Bierbrauer became wellknown with his hypnosis paintings from the late 40s and early 50s.
With these works (see above) he became a pioneer of conceptual art and a vanguard of the idea of the social sculpture. Thus made him also to one of the first artists in the world to succeed in involving participatory art as an essential element in his work. He also became a pioneer of art therapy and the idea of healing people through hypnosis.
A.
Bierbrauer trained as an artist and doctor, painted in the years 1949 to 1954 paintings according to the descriptions of his patients / recipients which appeared them under trance / hypnosis.
Before he had asked them to paint with colors on paper, so they would dream
colourful.
The patient becomes part of the artwork. After awakening, Bierbrauer discussed the paintings with his patients / recipients.
Thia was an exceptional artistic approach by
A. Biebrauer to the Post-World War II era in contemporary European art. It remained an unique artistic proposition until today.
Its echo of Bierbrauer's approach can be seen in
the Social Sculpture of Joseph Beuys, which he
formulated only in 1967.
With his somnambulistic informal works and his sculptures made of clay using different materials from the 1960s, A. Bierbrauer explored the question of how art is created in the artistic process and
where does the art come from. These works, in their
expressive form and imagery, are to be assigned to the new German abstract expressionism. Titles of the works are combined with word or sentence creations to create new
acoustic and pictorial experiences.
If you want to classify your somnambulistic works art historically, they move in their expressiveness and technique between works by Jackson Pollock with his drippings or action painting and work of the younger generation of Jean-Michel
Basquiat, Keith Haring to A.R. Penck or Jonathan
Meese.
Parallels and similarities of
Bierbrauer's work can also be found in the work of the internationally renowned and esteemed artist Thomas
Schütte.
The monograph "Adolf
Bierbrauer" is available in English and German, 224 pages and over 250 illustrations, € 35, - plus € 4,90 shipping between Germany. Send
e-mail to: mlp@mlpart.com
In 2015, works by Adolf Bierbrauer were shown at a collateral event of
the 56th Biennale of art in Venice.
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